Paula Gould Paula Gould

SXSW--oBLOGatory Post Fest Recount

"This room is non-smoking, right?" I meekly inquire in a voice barely audible. The receptionist looks back at me, distracted and hesitating, "yes." I don't believe her. As I walk down the hall to room 106, slip the key card into the door, and step into the nicotine soaked air of my smoke-free room, I mentally wave a white flag and recall the tea bar I saw on my way in. Even the peppermint can't soothe away the days of beer, salsa and salted meats from my tender throat. Each swallow shreds and grates, summoning flashbacks of the previous nights, of me, enthusiastically shouting over crowds and bands and singing every word to every song before wooooing both the bands performance and my own.

The misadventures of my delayed arrival feel like weeks ago but still sting a bit nonetheless. I walked away from the Hilton, wounded by bad timing and with bags in tow to Emo's Jr. to see The Ponys; damned to let the annoyances of my travels further interfere with my evening. Now after midnight, my luggage served as my badge and I immediately sent texts alerting my friends of my whereabouts and continued on with the boys of OSLO to the Blender Bar for Albert Hammond, Jr., then... and so on before retiring back to the band house for a morning nap. Unlike last year, I didn't plan out every moment of my day and night, nor race from showcase to showcase. I simply happened upon many great performances and people, sharing moments with friends old and new, running into many serendipitously. SxSW is great that way.

MUSIC.COM had a successful adventure with the launch of the music download and ringtone store, a great day party and a warm reception from artists at the convention center. All four of OSLO's performances went well, Waves (Upstairs) particularly. The night sky was warm and open to us, and the room full and driven, with the band invigorating the audience and audience reciprocating the energy. Saturday's shows seemed to resonate with me better than any of the other nights, Kings of Leon at Stubb's standing out most among them.

The HEEB party was fun (HEEB parties always are), as were the SPIN and FILTER sponsored events. BLENDER House was nice, once we passed the pretense of the door shenanigans. Each night saw the beginning of the next day. Upon word the Maxim party was shutdown, an impromptu gathering with Music.com, Oslo, YOUTH GROUP, and several of our friends who had also found themselves at the Driskill, punctuated the pleasantries of the day by enabling conversation among us all. Seeing the live shows is what we were here for, but the opportunity to actually converse with, rather than shout over, those you were partying with, was an unexpected treat.

Today, with most everyone gone, the few of us lingering aimlessly wondered 6th street before inevitably retiring home for naps and comfort or to enjoy time alone. To end my adventure, I grabbed dinner and a drink at Chuy's with Arrica Rose, a Dot, and some Los Angeles ex-pats before leisurely strolling through the beautiful night back to the band house to pack up my things. The river was black and silent beneath my feet and the last bit of spontaneity in me wished I would cannonball the stillness of the water and that of the town. It's an amazing transition how quickly Austin returns to itself only hours after the chaos. There was a lull to the day today that left me sleepy and content and ready for home.

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